Amelia Opie (born Amelia Alderson; 12 November 1769 – 2 December 1853) was an English author and abolitionist who published numerous novels in the Romantic period up to 1828. A Whig supporter and Bluestocking, Opie was also a leading abolitionist in Norwich.
Born~Died Nov 12, 1769 ~ Dec 2, 1853Last edited Oct 15, 2026, 4:47 PM
Amelia Opie (born Amelia Alderson; 12 November 1769 – 2 December 1853) was an English author and abolitionist who published numerous novels in the Romantic period up to 1828. A Whig supporter and Bluestocking,12 Opie was also a leading abolitionist in Norwich. Hers was the first of 187,000 names presented to the British Parliament on a petition from women to stop slavery.
Early life and influences
Amelia Alderson was born on 12 November 1769. An only child, she was the daughter of James Alderson, a physician, and Amelia Briggs of Norwich.3 Her mother also brought her up to care for those who came from less privileged backgrounds.3 After her mother's death on 31 December 1784, she became her father's housekeeper and hostess, remaining very close to him until his death in 1807.4
According to her biographer, Opie "was vivacious, attractive, interested in fine clothes, educated in genteel accomplishments, and had several admirers."3 She was able to speak French, having learnt from John Bruckner.5 She was a cousin of the judge Sir Edward Hall Alderson, with whom she corresponded throughout her life, and was also a cousin of the artist Henry Perronet Briggs. Alderson inherited radical principles and was an ardent admirer of John Horne Tooke. She was close to activists John Philip Kemble, , and . Along with Wollstonecraft, she was connected with the .
This page is based on “Amelia Opie” from English Wikipedia, (r1372988248) CC BY-SA 4.0 used under the license. The original authors are listed in its page history.
Opie spent her youth writing poetry and plays and organizing amateur theatricals.3 She wrote The Dangers of Coquetry when she was 18 years old and by 1800 her "songs" (poems) - along with those of Georgiana, Duchess of Devonshire, Mrs Barbauld, Peter Pindar and R.B. Sheridan - were published and advertised widely throughout England.8
Between the years 1790-1834, Opie had written 13 different works. In 1801, Opie's most famous novel was completed and titled Father and Daughter. Characterized as showing genuine fancy and pathos,6 the novel is about misled virtue and family reconciliation. After it came out, Opie began to publish regularly. Her volume of Poems, published in 1802, went through six editions. Encouraged by her husband to continue writing, she published Adeline Mowbray (1804), an exploration of women's education, marriage, and the abolition of slavery. This novel in particular is noted for engaging the history of Opie's former friend Mary Wollstonecraft, whose relationship with the American Gilbert Imlay outside of marriage caused some scandal, as did her later marriage to the philosopher William Godwin. Godwin had previously argued against marriage as an institution by which women were owned as property, but when Wollstonecraft became pregnant, they married despite his prior beliefs. In the novel, Adeline becomes involved with a philosopher early on, who takes a firm stand against marriage, only to be convinced to marry a West Indian landowner against her better judgement. The novel also engages abolitionist sentiment, in the story of a mixed-race woman and her family, whom Adeline saves from poverty at some expense to herself.
More novels followed: Simple Tales (1806), Temper (1812), Tales of Real Life (1813), Valentine's Eve (1816), Tales of the Heart (1818), and Madeline (1822). The Warrior's Return and other poems was published in 1808.9
In 1825, Opie joined the Society of Friends, due to the influence of Joseph John Gurney and his sisters, who were long-time friends and neighbours in Norwich,6 and despite the objections made by her recently deceased father. Opie had long known the Gurneys of Earlham Hall, Norfolk. Likewise, her future husband, artist John Opie, was "an intimate associate of the family" (having painted members of them) and met Amelia at Earlham in 1797. Amelia had been a friend of the Gurney sisters for many years. Alongside Amelia, Prince William Frederick had also been a guest at numerous balls and parties held at Earlham where the guests - both "old and young" - enjoyed "standing around his Princeship and singing - which pleased him amazingly". Harriet Martineau recalled her family's memories of the Gurney girls at this time "dressing in gay riding boots, and riding about the country to balls and gaieties of all sorts."1011
In 1809, Opie published a biography on her husband John which accompanied the lectures he had given at the Royal Academy of Arts prior to his death in 1807. Her subscribers included Prince William Frederick and members of the Taylor, Gurney and Martineau families, all of whom were connected to Norwich, as was Amelia.12 Her friendship with the Duke of Gloucester remained firm; she stated "...he seemed so glad to see me" when reunited with him at the "African Meeting" at London's Freemasons' Tavern.13
The rest of Opie's life was spent mostly in travel and working with charities. Meanwhile, she published an anti-slavery poem titled, The Black Man's Lament in 1826 and a volume of devotional poems, Lays for the Dead in 1834.14 Opie worked with Anna Gurney to create a Ladies Anti-Slavery Society in Norwich.15 This anti-slavery society organised a petition of 187,000 names that was presented to parliament. The first two names on the petition were Amelia Opie and Priscilla Buxton.16 Opie went to the World Anti-Slavery Convention in London in 1840 where she was one of the few women included in the commemorative painting.
Even late in life, Opie maintained an interest and connections with writers, for instance receiving George Borrow as a guest. After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom. A year later on 2 December 1853, she died at Norwich and was said to have retained her vivacity to the last. She was buried at the Gildencroft Quaker Cemetery, Norwich.
A somewhat sanitised biography of Opie, entitled A Life, by Cecilia Lucy Brightwell, was published in 1854.
One of her husband's portraits of her was copied by his friend Henry Bone who created an enamel portrait miniature of her "in 1798 or after". Bone's drawing for the miniature is held in London's National Portrait Gallery.21
Recollections of a Visit to Paris in 1802, 1831–1832
Winter's Beautiful Rose, a song with words by Opie and music by Jane Bianchi dedicated to the Viscountesses Hampden22
Further reading
Brightwell, Cecilia Lucy (1855). Memoir of Amelia Opie. London: The Religious Tract Society. 244 pages; an abridgment of Memorials.
Eberle, Roxanne (1994). "Amelia Opie's 'Adeline Mowbray': Diverting the Libertine Gaze; Or, The Vindication of a Fallen Woman". Studies in the Novel. 26 (2): 121–52.
Howard, Carol (1998). "'The Story of the Pineapple': Sentimental Abolitionism and Moral Motherhood in Amelia Opie's Adeline Mowbray". Studies in the Novel. 30: 355–76.
Susan K. Howard, "Amelia Opie", British Romantic Novelists, 1789–1832. Ed. Bradford K. Mudge. Detroit: Gale Research, 1992.
Kelly, Gary (1980). "Discharging Debts: The Moral Economy of Amelia Opie's Fiction". The Wordsworth Circle. 11 (4): 198–203. doi:10.1086/TWC24040631. S2CID165211713.
Gary Kelly, English Fiction of the Romantic Period, 1789–1830. London: Longman, 1989.
Shelley King and John B. Pierce, "Introduction", The Father and Daughter with Dangers of Coquetry. Peterborough: Broadview Press, 2003.
Susan Staves, "British Seduced Maidens", Eighteenth-Century Studies 12 (1980–81): 109–134.
Eleanor Ty, Empowering the Feminine: The Narratives of Mary Robinson, Jane West, and Amelia Opie, 1796–1812. Toronto: University of Toronto Press, 1998.
Notes
Footnotes
Earland, A. (1911). John Opie and His Circle. Hutchinson & Company. p. 180. Retrieved 29 December 2023. Mrs. Opie, an inveterate hero - worshipper, had an immense admiration for Charles James Fox [a Whig]. Her last sight of ... Whig party mourned his loss as... ↩
Tong, Joanne (Winter 2004). "The Return of the Prodigal Daughter: Finding the Family in Amelia Opie's Novels". Studies in the Novel. 36 (4): 465–483. JSTOR29533647. ↩
"NEW LATIN DICTIONARY". Kentish Weekly Post. 21 November 1800. Retrieved 26 December 2023. Songs [by] ...Her Grace, The Duchess of Devonshire, Mrs. Opie, Mrs. Goldsmith, Mrs. Robinson, Mrs. Barbauld, Peter Pindar, esq. G. M. Lewis, esq. Mr. R. B. Sheridan,... ↩
I. Armstrong, J. Bristow et al., eds. Nineteenth-Century Women Poets. Oxford University Press, 1996. ↩
Hare, A. J. C. (1897). The Gurneys of Earlham - Volume 1. Augustus John Cuthbert Hare. pp. 72–95. Retrieved 25 July 2023. To the Earlham sisters, Mrs. Opie's musical talents gave her an especial charm ...she [Amelia] had first met at Earlham in 1797 [her future husband John Opie]... She would practise for hours with Rachel Gurney and her younger sisters, whom Miss Martineau describes as- " A set of dashing young people, dressing ..."...[page 72] January 12, 1798...the Prince has been here again...[December 29, 1798]...Everybody looked cheerful, and we eleven stood round His Princeship, and sang the Chapter of Kings, which pleased him amazingly ....[page 73] After the Prince was gone, we had a dance...all joined, single and married, old and young...[page 94] December 29, 1798 - Yesterday we had a great deal of company - Amelia Alderson,..the Prince... ↩
Rogers, J. (1878). Opie And His Works. Colnaghi. p. 211. Retrieved 2 August 2023. Painting named "A Fortune Teller" - Opie painted the Gurney family [late 18th century] ↩
Opie, Mrs (Amelia) (1809). A Memoir By Mrs Opie. Longman etc - Paternoster Row, London. p. iv. Retrieved 2 August 2023. ↩
The Living Age - Amelia Opie. E. Littell & Company. 1893. p. 720. ..."African Meeting" at Freemasons' Tavern...he [the Duke] seemed so glad to see me... ↩
Opie, Amelia (12 December 1800). "Amelia Opie's letters to Susannah Taylor". ameliaopieletters.com. Retrieved 4 June 2023. It is strange I should have written so far, without naming the subject on which I wanted particularly to talk to you — I suppose you attended poor Mrs. Martineau's deathbed and I feel a great curiosity to know some particulars of her last moments — were her children with her? and had she her senses to the last ? - Di Giacomo, P (2016). ""There were banquets and parties every day": the importance of British female circles for the Serbian Enlightenment - A study of Dositej Obradović, Serbia's First Minister of Education (1739/42-1811)" (PDF). Књиженство (Knjiženstvo). 6. Università degli Studi "G. d’Annunzio": 13. Retrieved 12 June 2023. Dositej Obradović...The Unitarian Sarah Meadows Martineau (ca 1725-1800), who sent her children to Anna Laetitia Barbauld's school in Palgrave, also lived in Norwich. Martineau was a relative of the Taylors, and thanks to her Anna Laetitia Barbauld was able to meet Susannah Taylor...important of these was The Blue Stockings Society, founded in the early...The women that he met within the Scottish community and among the Unitarians such as Mrs Livie and her sister Mrs Taylor, transferred to Obradović the knowledge they had gained from frequenting the feminist circles of Elizabeth Carter, Anna Laetitia Barbauld, Elizabeth Montagu, Elizabeth Vessey, Margaret Cavendish Bentinck Sarah Fielding, Hannah More, Clara Reeve, Amelia Opie, Sarah Meadows Martineau. Their knowledge of the then current literary and cultural scene enabled Obradović to supply the works that he took from England and translated and adapted for the Serbian nation. - Brown, Susan; Patricia Clements; Isobel Grundy, eds. (2020). "Susannah Taylor". Orlando: Women's Writing in the British Isles from the Beginnings to the Present. Cambridge University Press. Retrieved 4 July 2023. Susannah Taylor - Friends, Associates Anna Letitia Barbauld - Pupils who acknowledged her [Barbauld's] influence included (Judge) Thomas Denman, who later drafted the 1832 Reform Act. Friends from this period of her [Barbauld's] life included Susannah Taylor (mother of the translator and editor Sarah Austin)... - McCarthy, W. (2008). Anna Letitia Barbauld: Voice of the Enlightenment. Johns Hopkins University. p. 394. ISBN 9780801890161. Retrieved 2 August 2023. Amelia Opie was one who fell: I was lamenting to Mrs. Barbauld ... that Miss M. did not seem to have any taste for reading. 'So much the better,' was [Barbauld's] answer [to Opie], 'I do not think such a taste desirable. Reading is an indolent way of... - . Leeds City Council. 2021. Retrieved 20 October 2023. ...Dame Sarah Martineau...
Amelia Opie (born Amelia Alderson; 12 November 1769 – 2 December 1853) was an English author and abolitionist who published numerous novels in the Romantic period up to 1828. A Whig supporter and Bluestocking,12 Opie was also a leading abolitionist in Norwich. Hers was the first of 187,000 names presented to the British Parliament on a petition from women to stop slavery.
Early life and influences
Amelia Alderson was born on 12 November 1769. An only child, she was the daughter of James Alderson, a physician, and Amelia Briggs of Norwich.3 Her mother also brought her up to care for those who came from less privileged backgrounds.3 After her mother's death on 31 December 1784, she became her father's housekeeper and hostess, remaining very close to him until his death in 1807.4
According to her biographer, Opie "was vivacious, attractive, interested in fine clothes, educated in genteel accomplishments, and had several admirers."3 She was able to speak French, having learnt from John Bruckner.5 She was a cousin of the judge Sir Edward Hall Alderson, with whom she corresponded throughout her life, and was also a cousin of the artist Henry Perronet Briggs. Alderson inherited radical principles and was an ardent admirer of John Horne Tooke. She was close to activists , , and . Along with Wollstonecraft, she was connected with the .
Opie spent her youth writing poetry and plays and organizing amateur theatricals.3 She wrote The Dangers of Coquetry when she was 18 years old and by 1800 her "songs" (poems) - along with those of Georgiana, Duchess of Devonshire, Mrs Barbauld, Peter Pindar and R.B. Sheridan - were published and advertised widely throughout England.8
Between the years 1790-1834, Opie had written 13 different works. In 1801, Opie's most famous novel was completed and titled Father and Daughter. Characterized as showing genuine fancy and pathos,6 the novel is about misled virtue and family reconciliation. After it came out, Opie began to publish regularly. Her volume of Poems, published in 1802, went through six editions. Encouraged by her husband to continue writing, she published Adeline Mowbray (1804), an exploration of women's education, marriage, and the abolition of slavery. This novel in particular is noted for engaging the history of Opie's former friend Mary Wollstonecraft, whose relationship with the American Gilbert Imlay outside of marriage caused some scandal, as did her later marriage to the philosopher William Godwin. Godwin had previously argued against marriage as an institution by which women were owned as property, but when Wollstonecraft became pregnant, they married despite his prior beliefs. In the novel, Adeline becomes involved with a philosopher early on, who takes a firm stand against marriage, only to be convinced to marry a West Indian landowner against her better judgement. The novel also engages abolitionist sentiment, in the story of a mixed-race woman and her family, whom Adeline saves from poverty at some expense to herself.
More novels followed: Simple Tales (1806), Temper (1812), Tales of Real Life (1813), Valentine's Eve (1816), Tales of the Heart (1818), and Madeline (1822). The Warrior's Return and other poems was published in 1808.9
In 1825, Opie joined the Society of Friends, due to the influence of Joseph John Gurney and his sisters, who were long-time friends and neighbours in Norwich,6 and despite the objections made by her recently deceased father. Opie had long known the Gurneys of Earlham Hall, Norfolk. Likewise, her future husband, artist John Opie, was "an intimate associate of the family" (having painted members of them) and met Amelia at Earlham in 1797. Amelia had been a friend of the Gurney sisters for many years. Alongside Amelia, Prince William Frederick had also been a guest at numerous balls and parties held at Earlham where the guests - both "old and young" - enjoyed "standing around his Princeship and singing - which pleased him amazingly". Harriet Martineau recalled her family's memories of the Gurney girls at this time "dressing in gay riding boots, and riding about the country to balls and gaieties of all sorts."1011
In 1809, Opie published a biography on her husband John which accompanied the lectures he had given at the Royal Academy of Arts prior to his death in 1807. Her subscribers included Prince William Frederick and members of the Taylor, Gurney and Martineau families, all of whom were connected to Norwich, as was Amelia.12 Her friendship with the Duke of Gloucester remained firm; she stated "...he seemed so glad to see me" when reunited with him at the "African Meeting" at London's Freemasons' Tavern.13
The rest of Opie's life was spent mostly in travel and working with charities. Meanwhile, she published an anti-slavery poem titled, The Black Man's Lament in 1826 and a volume of devotional poems, Lays for the Dead in 1834.14 Opie worked with Anna Gurney to create a Ladies Anti-Slavery Society in Norwich.15 This anti-slavery society organised a petition of 187,000 names that was presented to parliament. The first two names on the petition were Amelia Opie and Priscilla Buxton.16 Opie went to the World Anti-Slavery Convention in London in 1840 where she was one of the few women included in the commemorative painting.
Even late in life, Opie maintained an interest and connections with writers, for instance receiving George Borrow as a guest. After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom. A year later on 2 December 1853, she died at Norwich and was said to have retained her vivacity to the last. She was buried at the Gildencroft Quaker Cemetery, Norwich.
A somewhat sanitised biography of Opie, entitled A Life, by Cecilia Lucy Brightwell, was published in 1854.
One of her husband's portraits of her was copied by his friend Henry Bone who created an enamel portrait miniature of her "in 1798 or after". Bone's drawing for the miniature is held in London's National Portrait Gallery.21
Recollections of a Visit to Paris in 1802, 1831–1832
Winter's Beautiful Rose, a song with words by Opie and music by Jane Bianchi dedicated to the Viscountesses Hampden22
Further reading
Brightwell, Cecilia Lucy (1855). Memoir of Amelia Opie. London: The Religious Tract Society. 244 pages; an abridgment of Memorials.
Eberle, Roxanne (1994). "Amelia Opie's 'Adeline Mowbray': Diverting the Libertine Gaze; Or, The Vindication of a Fallen Woman". Studies in the Novel. 26 (2): 121–52.
Howard, Carol (1998). "'The Story of the Pineapple': Sentimental Abolitionism and Moral Motherhood in Amelia Opie's Adeline Mowbray". Studies in the Novel. 30: 355–76.
Susan K. Howard, "Amelia Opie", British Romantic Novelists, 1789–1832. Ed. Bradford K. Mudge. Detroit: Gale Research, 1992.
Kelly, Gary (1980). "Discharging Debts: The Moral Economy of Amelia Opie's Fiction". The Wordsworth Circle. 11 (4): 198–203. doi:10.1086/TWC24040631. S2CID165211713.
Gary Kelly, English Fiction of the Romantic Period, 1789–1830. London: Longman, 1989.
Shelley King and John B. Pierce, "Introduction", The Father and Daughter with Dangers of Coquetry. Peterborough: Broadview Press, 2003.
Susan Staves, "British Seduced Maidens", Eighteenth-Century Studies 12 (1980–81): 109–134.
Eleanor Ty, Empowering the Feminine: The Narratives of Mary Robinson, Jane West, and Amelia Opie, 1796–1812. Toronto: University of Toronto Press, 1998.
Notes
Footnotes
Earland, A. (1911). John Opie and His Circle. Hutchinson & Company. p. 180. Retrieved 29 December 2023. Mrs. Opie, an inveterate hero - worshipper, had an immense admiration for Charles James Fox [a Whig]. Her last sight of ... Whig party mourned his loss as... ↩
Tong, Joanne (Winter 2004). "The Return of the Prodigal Daughter: Finding the Family in Amelia Opie's Novels". Studies in the Novel. 36 (4): 465–483. JSTOR29533647. ↩
"NEW LATIN DICTIONARY". Kentish Weekly Post. 21 November 1800. Retrieved 26 December 2023. Songs [by] ...Her Grace, The Duchess of Devonshire, Mrs. Opie, Mrs. Goldsmith, Mrs. Robinson, Mrs. Barbauld, Peter Pindar, esq. G. M. Lewis, esq. Mr. R. B. Sheridan,... ↩
I. Armstrong, J. Bristow et al., eds. Nineteenth-Century Women Poets. Oxford University Press, 1996. ↩
Hare, A. J. C. (1897). The Gurneys of Earlham - Volume 1. Augustus John Cuthbert Hare. pp. 72–95. Retrieved 25 July 2023. To the Earlham sisters, Mrs. Opie's musical talents gave her an especial charm ...she [Amelia] had first met at Earlham in 1797 [her future husband John Opie]... She would practise for hours with Rachel Gurney and her younger sisters, whom Miss Martineau describes as- " A set of dashing young people, dressing ..."...[page 72] January 12, 1798...the Prince has been here again...[December 29, 1798]...Everybody looked cheerful, and we eleven stood round His Princeship, and sang the Chapter of Kings, which pleased him amazingly ....[page 73] After the Prince was gone, we had a dance...all joined, single and married, old and young...[page 94] December 29, 1798 - Yesterday we had a great deal of company - Amelia Alderson,..the Prince... ↩
Rogers, J. (1878). Opie And His Works. Colnaghi. p. 211. Retrieved 2 August 2023. Painting named "A Fortune Teller" - Opie painted the Gurney family [late 18th century] ↩
Opie, Mrs (Amelia) (1809). A Memoir By Mrs Opie. Longman etc - Paternoster Row, London. p. iv. Retrieved 2 August 2023. ↩
The Living Age - Amelia Opie. E. Littell & Company. 1893. p. 720. ..."African Meeting" at Freemasons' Tavern...he [the Duke] seemed so glad to see me... ↩
Opie, Amelia (12 December 1800). "Amelia Opie's letters to Susannah Taylor". ameliaopieletters.com. Retrieved 4 June 2023. It is strange I should have written so far, without naming the subject on which I wanted particularly to talk to you — I suppose you attended poor Mrs. Martineau's deathbed and I feel a great curiosity to know some particulars of her last moments — were her children with her? and had she her senses to the last ? - Di Giacomo, P (2016). ""There were banquets and parties every day": the importance of British female circles for the Serbian Enlightenment - A study of Dositej Obradović, Serbia's First Minister of Education (1739/42-1811)" (PDF). Књиженство (Knjiženstvo). 6. Università degli Studi "G. d’Annunzio": 13. Retrieved 12 June 2023. Dositej Obradović...The Unitarian Sarah Meadows Martineau (ca 1725-1800), who sent her children to Anna Laetitia Barbauld's school in Palgrave, also lived in Norwich. Martineau was a relative of the Taylors, and thanks to her Anna Laetitia Barbauld was able to meet Susannah Taylor...important of these was The Blue Stockings Society, founded in the early...The women that he met within the Scottish community and among the Unitarians such as Mrs Livie and her sister Mrs Taylor, transferred to Obradović the knowledge they had gained from frequenting the feminist circles of Elizabeth Carter, Anna Laetitia Barbauld, Elizabeth Montagu, Elizabeth Vessey, Margaret Cavendish Bentinck Sarah Fielding, Hannah More, Clara Reeve, Amelia Opie, Sarah Meadows Martineau. Their knowledge of the then current literary and cultural scene enabled Obradović to supply the works that he took from England and translated and adapted for the Serbian nation. - Brown, Susan; Patricia Clements; Isobel Grundy, eds. (2020). "Susannah Taylor". Orlando: Women's Writing in the British Isles from the Beginnings to the Present. Cambridge University Press. Retrieved 4 July 2023. Susannah Taylor - Friends, Associates Anna Letitia Barbauld - Pupils who acknowledged her [Barbauld's] influence included (Judge) Thomas Denman, who later drafted the 1832 Reform Act. Friends from this period of her [Barbauld's] life included Susannah Taylor (mother of the translator and editor Sarah Austin)... - McCarthy, W. (2008). Anna Letitia Barbauld: Voice of the Enlightenment. Johns Hopkins University. p. 394. 9780801890161. Retrieved 2 August 2023. Amelia Opie was one who fell: I was lamenting to Mrs. Barbauld ... that Miss M. did not seem to have any taste for reading. 'So much the better,' was [Barbauld's] answer [to Opie], 'I do not think such a taste desirable. Reading is an indolent way of... - . Leeds City Council. 2021. Retrieved 20 October 2023. ...Dame Sarah Martineau...